Tag Archives: mumblecore

Indians on TV- Aziz Ansari’s Master of None (2015)

10 Nov

master of none posterHas Netflix been hounding you to add it to your queue already? Well, you should.

Aziz Ansari’s Master of None has that Louie vibe that I love, mixed in with some High Maintenance; it combines a sarcastic and deadpan sense of humor with musings on relevant and often complex issues. Four episodes in, and I am already loving how Ansari tackles race issues with couth (in episode 4, “Indians on TV”), sex issues with realism (in episode 1, “Plan B”), and the ever-pressing question that society pushes on 30-somethings like me, “am I a kid person?” (also from “Plan B”).

Plot: Aziz Ansari is an actor, making his way through auditions and life. The episodes tell a continuous story, but not in such a strict way that you need to necessarily watch them in order. A main theme is tackled in each episode, societal woes are solved, drinks are drank, dates are gone upon.

Each opening scene, accompanied by credits, is straight up cinematic; each episode title is teased in at the beginning with vintage font that gets you guessing where the episode is going to go; and the cameos don’t disappoint, either (Busta Rhymes, H. Jon Benjamin, Ansari’s parents, Orange is the New Black‘s Taystee?!). Some of the acting is not so great, but you have probably noticed that I love Da vid LynchHarmony Korrine, and mumblecore so…yeah, that doesn’t bother me so much.


Ansari as Dez, with on-again off-again love interest Rachel, played by Noël Wells Photo: K.C. Bailey/Netflix

Master of None definitely earned at least another hour of my attention simply by using Aphex Twins’s “Come to Daddy” in episode 1. And don’t stop episode 3 before the tititular track comes on- Beach House’s “Master of None.” And don’t you love it when you realize about a celebrity, “aww he’s just like me?” because thats kinda how I felt when Aziz refers to Mark Morrison’s hit 90’s classic, “Return of the Mack” by saying, “well, this is maybe the most amazing song that has ever been created. Would you be opposed to dancing?”

Master of None gets a solid A in my book so far. As far as I’m concerned, if you laugh out loud at least once an episode (and you are watching it by yourself) it is a clear winner. I couldn’t wait any longer to write a review because I hope that this can convince at least another person or two to watch it too.


I’m Gettin’ too Old for This Shit – Happy Christmas (2014)

18 Feb

I can be into Mumblecore movies, depending on my mood. Today was a snow day, a slow day, and an alone day, so I was

Mumblecore Poster Child Mark Duplass. (Not in the movie... but worth mentioning)

Mumblecore Poster Child Mark Duplass. (Not in the movie… but worth mentioning)

down for an onslaught of slow-moving plots that seem to go nowhere, meandering dialogue, and amateurish camera angles. Enter: Happy Christmas, a title that is one of the biggest misnomers I have come across in a movie. Sure, it takes place during Christmas time, but it’s more of an afterthought than a focal point. If anything, it is just there to add to the ambiance of a stagnant and frigid Chicago winter.

Lena Dunham fans rejoice, she makes several appearances in the movie as Jenny's friend Carson.

Lena Dunham fans rejoice, she makes several appearances in the movie as Jenny’s friend Carson.

Jenny (Anna Kendrick) has just broken up with her boyfriend, and has decided to start over again in Chicago. She has returned to live with her brother Jeff (Joe Swanberg), his wife Kelly (Melanie Lynskey), and their baby while she looks for her own apartment. Jeff and Kelly set Jenny up in their tiki-themed bar basement while she relives the reality of living with a parent once again, complete with adolescent behaviors such as coming home wasted in the middle of the night, passing out drunk while a frozen pizza burns in the oven, and sneaking bowls downstairs while online shopping for Christmas presents.

Hangover city in the tiki basement

Hangover city in the tiki basement

One thing I like about this movie is that Jenny never wallows in the breakup that she left behind, and she doesn’t spend half of the movie complaining about the ups and downs of relationships. She’s just 27 years old, a bit directionless, and in a strange limbo between post-college and post-post-college, that awkward time when society takes a look at you, one foot tapping, saying, “you are really supposed to have your shit together by now,” but you don’t. This is why the film is so relatable to me. I barely have my shit together now, but at 27 I was really at a crossroads of the social discomfort and hangovers that I was supposed to have grown out of by then.

Carson and Jenny and Baby Jude

Carson and Jenny and Baby Jude

Full of discursive and improvisational dialogue, this movie shows people being people and having conversations in an unscripted way that I usually like. It feels a little overdone at times, but I appreciate a movie that captures realistic human interaction just as much as I enjoy beautifully prosaic scripts handcrafted by a room full of professional writers. It is exactly this kind of movie that I become more and more uncomfortable viewing in the company of others, for whatever reason. So many people want movies to have a point, a big and obvious breakthrough or resolution. Happy Christmas doesn’t really have one of those big messages at the end, but it’s relatable, and I really like that about this movie.

So if you ever felt a little lost and irresponsible while in your mid- to late-20’s; if you have found yourself a part of the boomerang generation that moves back in with family members or at least back to some semblance of the “home” from whence you once came; if you have ever woken up at noon, hungover, and thinking to yourself, “I’m getting too old for this shit;” and if you don’t mind reliving all of these uncomfortable moments just once more, you will like Happy Christmas, in spite of its hideous title.

Grade: B.